Just a small post today. I have a feeling this is an instance of stating the obvious, but even then it is sometimes necessary to do just that to see how many people actually think alike.
When it comes to finding new ideas for your next story, many writers, usually at the beginning of their career or hobby, see the finding of inspiration as a big problem. I have to admit, I have felt the same for a long time. Nowadays I have found the solution to that problem. Many experienced writers have stated before that reading and writing is the best training for a novice writer. I would agree with that, all I have to add to that is the following: don’t just read fiction.
I’m a pretty big fan of non-fiction. A lot of people immediately think of boring school text books, but that’s not necessarily the case. Be they biographies, historical, political, or otherwise in nature, reading non-fiction is a great way to find out about the world around and get inspired by it. Many concepts in stories I have (and am) working on are influenced all the time by the non-fiction section of my bookshelves. Usually I’ll find a way to apply that book on militarism or political shenanigans to something I have seen on television or read in a fiction book. Then you combine the two and already have the idea for a new story, whether consciously aware of it or not. Continue reading “The Benefits of Reading Non-Fiction Books (as a writer or normy)”
A look at the interplay of historical accuracy and authenticity with the realities of today.
I’m in one of those moods ever since I saw Wonder Woman last week and did two posts on it, so we might as well talk about historicity in films again while I’m on a role.
When it comes to film making (and art in general), historical accuracy is often fighting an uphill battle against the workings of the narrative. I’m actually quite glad that I have degrees in both History and English as historical films often fight an inner battle over my enjoyment of the craft and the implications of sacrificing truth on the alter of the three-act structure.
I admit that I have muddled the terms in the past, especially when talking to people without getting my thoughts sorted at first, but historical accuracy and historical authenticity are really two different things that apply in different situations. Getting them right might help both critics looking at these films and general audiences in what to look for in a film. Pretentious to think this will have any influence on anything, sure, but self-deprecation aside:
Historical accuracy is a term that I prefer to use, when I remember to order my thoughts first of course, on films that are directly based on a true story or depict historical events. In a film that generally means that the story is presented as it happened, that the people behave correctly, and so on. Something that is very much fact based and can be proven by historical records. If your movie (or any form of media in that regard) gets this wrong, you immediately fail because you are perpetuating lies or spreading them. Portraying “the truth” is a tricky business as well, as there really is no such thing as a singular truth, only different narratives of which a majority of people agree in their interpretation and framing of. In regards to how far you can bend the truth to service the bigger picture and narrative cohesion in service of, I’m more forgiving of this than others, I often find (shocking, I know) because I believe this applies to the big picture much more than the small one. Tora! Tora! Tora! is a good example of a film so accurate to history that it becomes a slog to sit through for a casual audience. It’s a great piece of art, but I can see where it may overreach for a general audience. Of course, in the case of the small picture this can often lead to a snowballing effect where the historicity suffers a death of a thousand cuts. Best is to let reality speak for itself and make minimal changes. Depending on the story you wish to tell, I will often prefer to fictionalize the story as is. This perfectly leads into:
Historical authenticity is something that will go hand-in-hand with historical accuracy when you are portraying the actual history on film and are trying to be as faithful to the truth as you can. When working with a fictionalized story, it is of the utmost importance to at least get the framing right. This is something that makes, for instance, The Last Samurai very interesting to look at. Based on real events, it does fail to portray the actual history, but at the same time manages to immerse you in the world and the end of an era that the samurai represent when the last of them die out. This is not accurate to actual history, but will at least convey the feelings and values of the era. Had the film fictionalized more events and tightened its focus a bit more, I believe there would be less to criticize. Authenticity can range from portraying the values of the era, to general politics and events happening in the background which inform the actual events. It’s what differentiates history from historical fiction. Continue reading “Historical Accuracy and Authenticity & When They Apply”
Captain America: the struggle between character and caricature.
I originally started writing this blog post about two days before the now infamous press release by Marvel Comics that Captain America, the Steve Rogers one, was an agent of H.Y.D.R.A. all along. Now, never mind that this is just another example of a desperate comic industry ratings stunt to sell more than 25.000 copies of any given book not headlined by Spider-Man, Batman, or Star Wars, what really surprised me was the public outcry over this fictional character. I’ve had my issues with Captain America in the past and talked about it here or there with people, but many people are heavily attached to the character. What makes Captain America who is is, is really the embodiment of the American Spirit. Cap is, in the words of Brows Held High, not the man who fought in World War 2. He is the man who fought in the World War that Americans wanted to fight. One in which the good guys always won, in which the Americans didn’t arrest hundreds of thousands of Japanese-American citizens, in which we don’t have to talk about the suffering and dying on the front lines. Where the bad guys weren’t also mostly people fighting to survive and for their comrades to survive. And I think it took me a while to come to terms with Captain America.
Continue reading “Coming To Terms With Captain America”